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More on Banksy in the West Bank

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Window on the West Bank … Some of the work by graffiti artist Banksy, painted during a visit to Ramallah. Photograph: PA [source]

The Guardian has an article and photos related to my earlier mention of Banksy in the West Bank. A choice quote for those unfamiliar with the wall:

Although the paintings themselves are not overtly political, his feelings about the wall are apparent from his statement: “The Israeli government is building a wall surrounding the occupied Palestinian territories. It stands three times the height of the Berlin Wall and will eventually run for over 700km – the distance from London to Zurich. The wall is illegal under international law and essentially turns Palestine into the world’s largest open prison.”

From other blogs

Two things I enjoyed today:

First, Tom Moody on Paul McCarthy at the Haus der Kunst in Munich. An excerpt:

Unlike US art institutions, which filter art for the delicate sensibilities of small children, Victorian grandmothers, and Newt Gingrich, European museums don’t protect viewers from the sight of icky penises and soiled butt cheeks.



I watched most of this vid [Sailor’s Meat/Sailor’s Delight, 1974] at the Haus Der Kunst, sitting on a seat in the main gallery with all this kinky sexual imagery right out there in plain view. There were no furtive darkened rooms for creepy behavior as in the US, but headphones did protect the other museumgoers from McCarthy’s disturbing grunts and Deliverance-like squeals. Damn, the early 70s were an interestingly depraved time, partly owing to the end of the sexual revolution that conservatives are always complaining about, partly because the median age of the US population was about 22 and cranky oldsters were not allowed to run the show, as they do now.

Second, Wooster Collective images of Banksy in the West Bank, including the work he put directly on the West Bank “wall”.

Cristobal Dam, "Paint Box"

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from the series Paint Box, 2005
Oil and varnish on canvas

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Installation shot

Last Sunday we saw these great paintings by Cristobal Dam (or Cris as he is generally known) at Dam, Sthultrager. Due to the layering of oil and varnish, they are quite shiny, which is hard to convey in photos. That, plus the way they are framed, makes them feel like lovely enameled objects.

Yes, the name of the gallery includes his name. He and Leah Stuhltrager run this exciting and eclectic Williamsburg gallery, but this is no vanity exhibition. Artist and fan-run galleries are getting rarer, even in Williamsburg. Go by and see these wonderful paintings for yourself.

[images provided by the gallery]

Dysfunctional budgies (parakeets)

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Shaun Doyle & Mally Mallinson
Cape Disappointment

Here are two images from the dissolute budgies of a budgie “housing project” gone terribly wrong in this sculpture by Shaun Doyle & Mally Mallinson in the current show at Cynthia Broan, titled This Show is Ribbed For Her Pleasure. Luckily, ours is faring a bit better so far.

The exhibition is curated by Andrew Clarkin and Simon Pittuck, the Directors of Keith Talent Gallery in East London. Bonus points for anyone who gets the reference for the title of the gallery.

I also enjoyed the brightly colored ink jet prints by Oran O’Reilly and the sculptures by Adam Gillam, with the installation instructions written all over the works.

Homomuseum at Exit Art

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ak burns
fountain of salmacis (a heart for Jack)

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Rune Olsen
Hear me Roar

You still have a change to see Homomuseum at Exit Art, as the show has been extended until August 19. Each of the artists in the show chose a hero, and their statements are mounted next to their work. I suspect you won’t be surprised to learn that Jack Smith is the hero of ak burns. Rune Olsen chose the Bonobo monkeys, famous for their polysexuality, as a reminder that those who use the word “unnatural” to describe homosexuals are denying the way nature really operates. His sculpture is of two female Bonobos having sex as a younger male looks on.

I didn’t put up an image, but I also loved the black and white photos of the piers by Alvin Baltrop. The photographer died in 2004, but there is a foundation web site with images from the series.

If you’re into Jack Smith, and who isn’t these days, also check out the show Jonathan Berger curated at Grimm Rosenfeld, titled Founders Day.

No theatre please, we're opera fans

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While the subject of opera is getting some commments, I should mention this good essay in Sunday’s Newsday, titled Cutting – edge? Cut it out. The entire thing is worth reading, but I’ll quote some favorite parts.

(Naturalism, by the way, is a problematic notion in opera, which traffics in artifice and myth.)

For all that New York is a center of cutting-edge art, its opera lovers seem innocent of the fact that the intentional fallacy was debunked long ago. “Give us the opera as the composer intended,” they whine. But nobody knows what long-dead creators had in mind. Even with the benefit of documentary evidence (explanatory notes and eyewitness accounts), no one has ever been bound by the chimera of authorial intention.

Times change. Do theatergoers clamor for boys to portray Juliet and Cleopatra, as Shakespeare expected? The original production books for several Verdi operas still exist. Verdi expert Julian Budden offers withering appraisals of their composer-approved stage business: “worthy of the Folies Bergere,” or “remarkably crude.”</blockquote>

By the way, the Peter Sellars operas mentioned in Newsday are now out on DVD: Marriage of Figaro (set in Trump Tower), Don Giovanni (set in Harlem with the hot Perry brothers playing the Don and Leporello), and Così fan tutte (set in a seaside diner). Supposedly these are available as a complete set, but not anywhere I can locate.

[images from the Decca web site]

Begging a Proper Donnybrook at Archibald Arts

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Bryan Zimmerman installation view

How many people can say they spent the day looking at art on the west side between 43rd and 29th Streets? We made our first visit to Archibald Arts today to see a group show featuring Bryan Zimmerman, Brandon Ballengée, Daniel Zeller, and Rina Banerjee.