I love this paragraph from Walter Robinson’s news roundup on artnet:

New York City mayor Michael R. Bloomberg, who is running for his second term as a Republican mayor in an overwhelmingly Democratic city, is trying to ingratiate himself with New York City’s progressive voters by showering $20 million on 400 New York arts and social-service organizations, according to a report in the New York Times. Visual arts institutions on the list range from the American Folk Art Museum, Anthology Film Archive and Art in General to the Studio Museum in Harlem, Triple Candie and UbranGlass. Made through the Carnegie Corporation, the donations are for sums between $10,000 and $100,000. According to the Times, Bloomberg gave a total of $140 million to more than 800 groups in 2004. By contrast, the Bloomberg administration jailed peaceful protestors at the Republican National Convention and was only narrowly defeated in a scheme to turn over almost $1 billion in public funds for a private sports stadium on the west side of Manhattan.

From the invaluable Ray Sanchez at Newsday

Since 9/11, the aviation industry has received $18.1 billion for security from the federal Department of Homeland Security, according to the Washington-based American Public Transportation Association. By contrast, mass transit has received just $250 million.

Americans take public transportation 32 million times a day — 16 times more often than they travel on domestic airlines. About 4.5 million riders use the New York subway every weekday.</blockquote>

Of course, the MTA is probably too incompetent to spend the money they are given. Since 9/11, they have been given $600 million in state and federal funds for security improvements. They have spent $30 million, with very little to show for it. Most has been spent on planning and consultants.

Updated: I fixed the $300 million number. It is $600 million.

Silo has a strong show of video work by Sarah Gregg Millman, with particular attraction for those of us obsessed with the women of New Wave film.

Two of my favorite quotes from Truth Stories follow. The first comes from a series of brunettes telling stories of frustration tied to their working lives. They seem to be mostly waitresses. The second comes from a series of blondes, narrated in whispers, imagining life inside an Impressionist work such as Seurat’s La Grande Jatte. The narratives are created by Millman based on her own life.

He was a pretty good manager. He knew a lot about fine wines and… subservience.

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On weekends I don’t have to help anyone. I’m free.

[still images above provided by the gallery]

Here is an installation shot of Ara Peterson’s Standing Waves in the current show at Greene Naftali. James as more on the show.

Standing Waves, 2004
wood, acrylic
45″ × 168″ × 30″

I went to look at Bill Gusky’s web site because of his comments on James’s site. There are some interesting works there, including this work on paper from the gallery page.

Untitled 2005
Gouache and Pastel on Paper
14 × 11 inches

It was too crowded to see the main room (Jen Bekman concurs) at the show Thursday night, so I took a couple of photos of the floor in the smaller project space. I suspect most images of the show will focus on the main room and the walls, so this is a reminder to look down when you visit.

Note to hipsters with cell phones: If you can’t navigate a crowded gallery and talk on the phone at the same time, go outside. And leave large dogs at home. They don’t seem to appreciate packed openings.

While you’re on Jen’s blog, check out this Frank Gehry post too.

We went to Soho tonight for the “block party” on Wooster and the openings at Spencer Brownstone, Guild & Greyshkul, and Deitch.

Block party (I think pedestrians should spontaneously take over streets more often):

and, from the Spencer Brownstone show, I present red, white, and blue:

The people on Mitchum’s PR team are idiots. This morning I heard the news of the London attacks when I woke up. While riding the subway to Soho tonight, I saw this:

One would think someone would have thought of the Madrid attacks, and what happened to the stupid MTA ad censors that have previously prevented such things as safe sex ads on the subway? I would think the suburban guys that are at the top would find this… problematic.

I found it sad, knowing that people like Muhammad Ali are there, to read that people went wild over Hillary Clinton’s “star power.” I was more than sad — horrified was more like it — to learn that one of the other people in Singapore to lobby for NYC to host the Olympics is Henry Kissinger. I guess it’s one of the few places outside of the USA he can still visit without risk of arrest.

I don’t want the Olympics here, and obviously no thinking person does either if they have that man representing us. I agree with Todd Gibson on what hosting them would mean:

a month of lockdown and police-state presence in 2012 that will make last summer’s Republican Convention look like a fire drill.

Paper Rad and Matt Barton extreme animalz: the movie: part 1 2005 video and mixed media [detail of installation]

NY1 has a short segment on the Rhizome ArtBase 101 show at the New Museum. It’s kind of funny in a “gee whiz, it’s art!” way. At least you get to see Lauren Cornell and T. Whid talk, and you have a chance to see Paper Rad and Matt Barton’s fabulous work in motion. For more on the show, read the post James did.

[photo by James]