bloggy

Reagan is dead

Some excerpts from The Truth About Reagan And AIDS by Michael Bronski, November 2003:

For the past two months I’ve been teaching a course entitled “Plagues and Politics: The Impact of AIDS on U.S. Culture” at Dartmouth College and have spent an enormous amount of time thinking about the AIDS pandemic.

…

As we read about and discuss the history of the American AIDS epidemic in class, my students — all Reagan babies, born between 1981 and 1985 — are often dumbfounded when faced with simple facts. Although AIDS was first reported in the medical and popular press in 1981, it was only in October of 1987 that President Reagan publicly spoke about the epidemic. By the end of that year 59,572 AIDS cases had been reported and 27,909 of those women and men had died. How could this happen, they ask? Didn’t he see that this was an ever-expanding epidemic? How could he not say anything? Do anything?

But the public scandal over the Reagan administration’s reaction to AIDS is complex and goes much deeper, far beyond the commander-in-chief’s refusal to speak out about the epidemic. Reagan understood that a great deal of his power resided in a broad base of born-again Christian Republican conservatives who embraced a deeply reactionary social agenda of which a virulent, demonizing homophobia was a central tenet. In the media men such as Pat Robertson and Jerry Falwell articulated these sentiments that portrayed gay people as diseased sinners and promoted the idea that AIDS was a punishment from God and that the gay rights movement had to be stopped. In the Republican Party, zealous right-wingers such as Rep. William Dannemeyer of California and Senator Jesse Helms of North Carolina hammered home this message. In the Reagan White House, people such as Secretary of Education William Bennett and Gary Bauer, Reagan’s domestic policy adviser, worked to enact it in the administration’s policies.

What did this mean in practical terms? Most importantly, AIDS research was chronically under-funded. When doctors at the Centers for Disease Control and the National Institutes of Health asked for more funding for their work on AIDS, they were routinely denied it. Between June 1981 and May 1982 the CDC spent less than $1 million on AIDS and $9 million on Legionnaire’s Disease. At that point more than 1,000 of the 2,000 reported AIDS cases resulted in death; there were fewer than 50 deaths from Legionnaire’s Disease. This drastic lack of funding would continue through the Reagan years.

When health and support groups in the gay community were beginning to initiate education and prevention programs, they were denied federal funding. In October 1987 Senator Helms amended a federal appropriations bill to prohibit AIDS education efforts that “encourage or promote homosexual activity” — that is, efforts that tell gay men how to have safe sex.

…

When Rock Hudson, a friend and colleague of the Reagans, was diagnosed with AIDS and died in 1985 (one of the 20,740 cases reported that year), Reagan still did not speak out as president. When family friend William F. Buckley, in a March 18, 1986, New York Times opinion article, called for mandatory testing for HIV and said that HIV-positive gay men should have this information forcibly tattooed on their buttocks (and IV-drug users on their arms) Reagan said nothing. In 1986 (after five years of complete silence), when Surgeon General C. Everett Koop released a report calling for AIDS education in schools, Bennett and Bauer did everything possible to undercut and prevent funding for Koop’s too-little-too-late initiative. Reagan, again, said and did nothing. By the end of 1986, 37,061 AIDS cases had been reported; 16,301 people had died.

…

I told one of my students that the most memorable Reagan AIDS moment for me was at the 1986 centenary rededication of the Statue of Liberty. The Reagans were there sitting next to French President Francois Mitterand and his wife, Danielle. Bob Hope was on stage entertaining the all-star audience. In the middle of a series of one-liners Hope quipped, “I just heard that the Statue of Liberty has AIDS but she doesn’t know if she got it from the mouth of the Hudson or the Staten Island Fairy.” As the television camera panned the audience, the Mitterands looked appalled. The Reagans were laughing. By the end of 1989 and the Reagan years, 115,786 women and men had been diagnosed with AIDS in the United States, and more than 70,000 of them had died.

Here are some MP3s of music I’m using to celebrate. Listen to them while you read James’ post.

sylvester.jpg

Sylvester, 1946? – 1988, death from AIDS

Sylvester – You Make Me Feel (Mighty Real)

Thelma Houston – Don’t Leave Me This Way

Vicky Sue Robinson – Turn The Beat Around

I wonder how Jesse Helms is feeling tonight?

Tonight's Chelsea openings

There are a lot, but the ones we plan to hit are:

Bellwether‘s inaugural show in Chelsea, 6-9pm. It’s a group show with 24 of their artists.

The gallery that started the Williamsburg → Chelsea trend, Foxy Production, has a group show titled “Glad Day”, featuring Jane Benson, Sean Dack, David Noonan, and Joshua W.F. Thomson. I’ve seen some pretty interesting drawings by Thomson at the gallery on previous visits. The server hosting their site is down at the moment, so here is the info:

Foxy Production, 6-8pm
547 West 27 St, FL 6
(between 10 and 11 avenues)
t: 212 239 2758
e: info AT foxyproduction DOT com

White Box has a show of contemporary Greek art which opens tonight, 6-8pm.

You can use Douglas Kelley’s (mostly accurate) list to see more. Others of note include a group show at Jeff Bailey and a show curated by Augusto Arbizo that looks great at Artemis Greenberg Van Doren (for the uptown crowd).

Debs & Co. closing

I’m sad. According to Choire, and the gallery web site, Debs & Co. is closing. They have always been one of the more political of the Chelsea galleries, showing the likes of Joy Garnett, Emily Jacir, and Carrie Moyer.

Wealth and race

I was reading this article in the NY Times on the lack of diversity in the boards of New York City cultural institutions, and I was struck by this statistic:

To be sure, there are still far fewer rich blacks than rich whites — 33,000 black households have an income of $150,000 or more in the New York metropolitan area, compared with 587,000 white households in the same income bracket, according to an analysis of 2000 census data by the Queens College department of sociology.

Pension fund for artists

Cool idea! A new company called Mutual Art has created a pension fund for artists, which they fund by “investing” artworks rather than cash.

The advisory board includes John Baldessari and Kiki Smith.

The list of artists accepted into the initial trust includes Tim Lokiec, Jules de Balincourt, Aida Ruilova, and Anthony Goicolea.

Here is the description from their FAQ of how it works:

A region-specific selection committee comprised of individuals who are broadly experienced in working with emerging artists will identify artists to be invited to apply for participation in a Trust. The committee will review each applicant’s work and select those who will participate in a Trust. Only self-employed artists may participate in APT.

The Selection Committee members for the APT, New York are Clarissa Dalrymple, Jeffrey Deitch, David A. Ross, Jack Tilton and Simon Watson.

APT is a barter-based program. Rather than cash, participants will contribute works of art to their Trust, investing 20 works over a 20-year period. Artists will start to receive income 20 years after the inception of their APT.

Income for payments to the participants will come from the sale of works held by a Trust. Fifty percent of the net proceeds from these sales accrue to the retirement benefit accounts of all participants and the remaining fifty percent will accrue to each artist’s own retirement benefit account. Each artist receives an equal share of the pooled funds generated by the sale of the works held in a Trust, thereby benefiting from the collective success of all of the artists in their Trust. Additionally, each artist is rewarded proportionally to individual market success, since 50% of the net proceeds of the sale of his/her work are invested in individual benefit accounts.

Williamsburg Gallery Brunch

On Sunday, a lot of Williamsburg galleries are having things brunch-ish available from 12-4pm to entice viewers. We’re heading out there around 1 to look at art and show a friend around who we’re trying to bring into the art buying habit. Gallery-going: the gateway drug, as it were.

Among the galleries I know we’ll hit:

Victoria Rich at *sixtyseven

One more look at “Size Does Matter” at Eyewash/Boreas

“Boys Keep Swinging” at Champion Fine Art

Jerry Kearns at Jack The Pelican Presents

Alec Dartley and Vicki Sher at Jessica Murray

Sarah Beddington and Fritz Welch at Momenta

Lynn Cazabon at Schroeder Romero

“Sadie Hawkins Dance” at SOUTHFIRST

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UPDATED: I found more that are not necessarily part of the brunch thing.

Active Duty/Armed Artists of America (AAA)

Josh Smith – REENA SPAULINGS FINE ART, 371 Grand Street – he curated a great show at Champion

Does he actually want to win?

From CNN/AP:

Kerry told The Associated Press on Wednesday that he would consider a judicial candidate who disagrees with his support of abortion rights as long as it doesn’t lead to the Supreme Court overturning Roe v. Wade, the landmark 1973 ruling that made abortion legal.

Hours later, as fellow Democrats and abortion-rights supporters sought clarification, Kerry issued a statement pledging not to appoint anyone to the Supreme Court who would undo abortion rights. He left open the possibility of appointing anti-abortion judges to lower courts.

This campaign is getting even more depressing than Gore’s.