bloggy

Affirmative Action

I’ve had it with the hypocrisy of George W. Bush on affirmative action. He misuses words like “quota” while pandering to the people who think non-whites have no disadvantages in our society and that illiterate black people are keeping hard-working white people out of jobs.

First, let’s look at the University of Michigan FAQ regarding admissions:

While students with very low grades and test scores typically are denied admission, and students with very high grades and test scores typically are admitted, most applicants do not fall into either of these categories. For that large pool of qualified applicants in the middle range, many other factors — including, but not limited to, race and ethnicity — can make a difference in admissions decisions.



Applicants receive up to 40 points for other factors that indicate an applicant’s potential contribution to LSA. They may receive 20 points for one of the following: membership in an underrepresented minority group, socioeconomic disadvantage, attendance at a predominantly minority high school, athletics, or at the Provost’s discretion. Reflecting the University’s commitment both to state residents and to broader geographic diversity, counselors assign ten points for Michigan residency, six additional points for residency in underrepresented Michigan counties, and two points for residency in underrepresented states. Applicants receive one or four points for alumni relationships. The personal essay can earn up to three points. Based on an applicant’s activities, work experience, and awards, counselors may assign up to five points for leadership and service, and five more points for personal achievement.

Interestingly, the Bush administration is incensed by the idea of race affecting admissions, but seems unconcerned about other criteria, such as “underrepresented Michigan counties” which is as likely to benefit rural whites as anyone. Of course, we know why Bush can’t bring up “alumni relationships”. This is a man that would never have attended Phillips Andover, Yale, or Harvard without rich white guy/connected father/alumni affirmative action. Check out Danziger on the subject. Ellis Henican from Newsdays tells us:

He was a C student at Phillips Andover.

He got a not-so-stellar 1206 on his SATs – 566 verbal, 640 math. That was a full 180 points below the median score for the Yale University class of ’68.

But boola-boola for him!

In the fall of 1964, George W. Bush was welcomed inside Yale’s ivy-covered walls as a “legacy admittee.”

And in the years that followed [at Yale], young W never pulled his average above a C. His college transcript, in an eye-popping leak to The New Yorker magazine, showed a 73 in Introduction to the American Political System and a 71 in Introduction to International Relations, to cite two examples that could mean something in hindsight.

Do you know anyone else who was admitted to Harvard Business School with an undergraduate C average?

Yesterday’s Newsday reported that Condoleezza Rice had issued a statement that using race as a factor to achieve diversity on college campuses is “appropriate” — contradicting the President but saying she supports the decision to challenge the University of Michigan policy. She was responding to a Washington Post story that said she was instrumental in shaping the administration’s decision to intervene in the Michigan case.

In today’s Newsday, Jimmy Breslin says Powell: Act or Resign. Colin Powell spoke very eloquently about affirmative action in a speech at the 2000 GOP convention:

The subject was affirmative action, of which Powell was a recipient in his time. Here is a guy who got out of City College, where Frankfurter went, where Salk went, and public taxes paid for his education and gave him a chance to get where he is now. It is what the country should be about.

And to his audience, which was 94 percent white, affirmative action was as dangerous as wired dynamite.

Powell said:

“We must understand the cynicism that exists in the black community, the kind of cynicism that is created when, for example, some in our party miss no opportunity to roundly and loudly condemn affirmative action that helped a few thousand black kids get an education.

“But hardly a whimper is heard over affirmative action for lobbyists who load our federal tax codes with preferences for special interests.”

Right after that, Powell told interviewers, "You need to be a little careful when you see nothing wrong with that kind of preference or affirmative action, and say it’s fine, whether it’s sugar growers in Florida or somewhere else in the tax code, but suddenly a preference system, as you call it, an affirmative action program, as I prefer to call it, that allows a few thousand kids to get an education somehow is so damaging to our constitutional process that it has to become a major factor for our party and a major center for the party to attack.”

One thing to remember as you’re reading about all of this is that all of the President’s proposals regarding diversity through economic tests rather than racial criteria rely strongly on keeping segregated high schools in order to maintain racial diversity at the college level. Another is that the University of Michigan case involves the law school, and the administration has no proposals for dealing with diversity for graduate or professional schools.

And don’t even get me started asking who died in Viet Nam so that Bush wouldn’t. Now that’s affirmative action.

Go read some RuminateThis

It’s been a bit since I’ve written a good political post, so I’ll point you to one by Lisa at

RuminateThis that you should go read right now.

Arts-a-poppin'

We just came back from our second visit to see Christian Holstad’s show at Daniel Reich. See the NY Times article, plus some images from LFL Gallery. Great show! There is a lot of creative energy, with a lot of different media in a show titled “Life is a Gift”. We had seen some of his work based on erasing NY Times photos and adding drawing in the past at Daniel’s, and there are some fabulous examples of those, but there is so much more. It’s the first time in a long time that I have bought a work at an opening, and what an opening it was! Daniel’s gallery is his tiny studio apartment, and there must have been over 100 people there over the course of the evening, including a huge crowd in the building hallway, chatting, smoking and drinking beer. Christian also did the sets and costumes for a show at P.S.122 this weekend: Stable.

We'll Make Great Mud - Christian Holstad

We went to the party afterward at Simon Watson‘s loft downtown, and ran into a lot of fabulous people, plus met some new ones. We spent a while talking with charming musician/aesthete Patrick, whom we originally met through artist Joe Ovelman. Patrick recognized Christian as the person he spotted on the L train, crocheting, on a regular basis. Joe has an opening in February at Daniel Silverstein, so watch this space, or the gallery’s web site, for more info.

We also met Alejandro Diaz. We just ended up talking to this charming artist, along with Maika from SOUTHFIRST, who was telling us about the fact that he recently had The New Yorker buy some drawings of his for use in little places within articles, when he mentioned his name. We both said, “We have a work of yours, from the ”http://bloggy.com/mt/archives/000428.html">White Box benefit</a>!" We also met Eric Stormes, who has some charming little pins made from drawings on mapboard and is in Cynthia Broan’s $99 Bargain Store Show which opens February 1.

The Times article mentioned above also talks about a show at Oliver Kamm’s apartment, which is three floors above ours. If he can get away with it in our building, maybe we should start having exhibits too! I certainly know of a lot of people whose work I would like to show.

Last night we went to a dance performance by Allyson Green and Ben Wright at Danspace titled “Interim”. It had its moments, but I wasn’t bowled over by the dance itself. However, the lighting design, by Sarah Gilmartin, was absolutely the best lighting I have ever seen at Danspace. The sound design, by Alan Stones, based on manipulating a recording of Beethoven’s Moonlight Sonata performed by Paderewski, plus a performance of Bluebird of Happiness by Jan Peerce in 1945, was exquisite – one of the best things I’ve heard at a dance performance.

Williamsburg cultural outing

We spent most of the afternoon and evening in Williamsburg, going to galleries and ending the evening with Glenn at Galapagos to see John Moran and Eva Müller in “What’s Opera Doc?” The performance was great — cool sound and movement, acting that was scary and good at the same time. I got a little worried at the beginning, especially since we dragged Glenn away from his lesson plans to join us. When we walked in we could smell pot, and Ms. Müller joked in her introduction about John being “over there smoking pot”, but it all turned out alright. More than alright — fabulous! Check out the images on their site of Moran’s theatre productions.

We saw some good things in Williamsburg today. I’m feeling the need to spend most of my gallery-going time in Williamsburg rather than Chelsea these days. Recommended:

  • Deborah Stratman’s video “In Order Not To Be Here” at Momenta
  • Tricia McLaughlin at Star 67 — great models, drawings, and animation
  • Lee Etheridge IV at Pierogi 2000 — He uses an IBM selectric to create patterns of letters and words on handmade paper, in a new phase, on photographs. I liked his previous show at the gallery, but I think this one is better and really strong.</p>

What's Opera Doc

I’m going to see John Moran and Eva Mueller at Galapagos tonight at 9pm. Any takers?

Culture roundup

Over the last few days, I’ve “done some art”, plus seen one movie that wasn’t quite art, but was entertaining: I went to a preview screening of P.S. Your Cat is Dead from actor/co-writer/director/80s hunk Steve Guttenberg. It’s amusing, but I would probably wait to see it on video if I hadn’t seen it already. The screening was organized by The New Festival, so it was a big gay crowd there to see him in person. The highlight of the evening was getting to talk to David Drake, whom we hadn’t seen since attending his Son of Drakula at Dance Theater Workshop. People like David give me hope for homo culture and art — he’s a pretty face, but he’s a smart guy who is much more than a pretty face. Another one of those is John Cameron Mitchell.

OK. Enough celebrity worship — on to other things.

Several nights ago I saw a cool evening of music at Merkin. The first half was a collaboration of “live animation” by Pierre Hébert and music by Bob Ostertag called Between Science and Garbage. Hébert used an iBook plus web cam and a lot of objects and drawings to gradually assemble an animated film while we watched, using everything from drawings on paper to apples and Coke cans. They were selling Ostertag’s CDs in the lobby, so I bought PantyChrist, which I always knew about but had never heard. It’s wonderful — a collaboration between him and Justin Bond. How could you ask for more? I’ll put up some MP3s later.

On Friday we went to an opening for Stacy Greene at Plus Ultra in Williamsburg, then hopped back on the L to see puppet wizard Paul Zaloom at P.S. 122 featuring political puppetry and a gay Punch and Judy show, renamed “Punch and Jimmy”.

Stacy’s new work, as she has told me, is a new direction for an artist who already has worked in several media. We first encountered her at Plus Ultra’s inaugural show, titled “Skank” where we picked up a copy of her Rorschach Striptease DVD. There are 3 photographs of abandoned drive-in movie theaters, then the rest of the works consists of pieces assembled from photgraphs on individual panels to form a sort of collage. My favorite piece in the show is called “Los Zapatos de Lorraine”, in which the title comes from a pair of chintz-patterned shoes belonging to her aunt Lorraine in one of the panels.

Yesterday we went to a few Chelsea galleries. My favorite things I saw were Devorah Sperber at Caren Golden, Michael Wetzel at Clementine, and Kevin Landers at Elizabeth Dee.

Today we’re headed out to Williamsburg to see some shows.

Who licked the red off his candy?

President’s Public Mood Turns Cheerless

Chalk it up to the January blues, or having to go back to work after a two-week vacation, or simply a plate full of weighty, as-yet-unmade decisions.



Journalists escorted into a Cabinet meeting on Monday were allowed just four questions. On Wednesday, the media were ushered in at the beginning of a session with congressional leaders from both parties. Bush tersely informed them that no questions would be welcomed.

“I’m going to have a statement and then we’ll ask you to leave so we can get down to our business,” he said. After his statement and the signing of legislation extending federal unemployment benefits, he reiterated the point. “Get out of the room as quickly as you came in,” he said.

Barry says...

the trend of Chelsea Boys at the gym wearing too-short t-shirts so you can see their pierced belly buttons is a bad thing. When hairy guys without piercings do it, it just makes them look like rednecks. As is wearing A&F shorts with Abercrombie across the ass. As are boys who go for that 70s look – feathered hair and all, parted in the middle — paired with a vacuous stare. Unlike this it doesn’t appear to be ironic.

Update: I forgot to mention all of the guys wearing ski caps while working out.